Alison has been invited by RIBA Gloucestershire to give a lecture on the theme ‘Taking Architecture out of the Straitjacket’ in January.
The event will take place at Gloucester Cathedral and tickets are now available to purchase. Entry is free for RIBA members.
Alison Brooks has been awarded as a Royal Designer for Industry, regarded as the highest honour a UK designer can receive.
The award celebrates substantial contribution for rethinking design for positive social, economic and environmental impact and only 200 designers can hold the title at any one time.
Alison Brooks was recognised for design excellence and innovation in urban regeneration and masterplanning, and public buildings for the arts, higher education and housing. She said “I look forward to contributing to the brilliant RSA programmes, exchanging knowledge and supporting their design education mission.”
The Smile has been published in the Wood Design & Building Awards’ book ‘Celebrating Excellence in Wood Architecture’ which features all 2016-17 winning projects across the globe.
“This structure cleverly uses site placement and materials. It’s a symmetrical, lifting, heavy object in front of an old building that is heavily grounded, and the two work together beautifully. It has this automatic connection with such incredible difference that it’s surprising and delightful.” – Jury
Books will be available to purchase shortly.
At the World Architecture Festival 2017 in Berlin, Alison was interviewed by designboom about our award winning ‘The Smile’ and why she thinks the public should be involved in discussions about architecture.
The Smile has been awarded the Wood Awards 2017 Structural Award.
The Awards aim to recognise, encourage and promote outstanding design, craftsmanship and installation using wood.
Conceived as a habitable arc, The Smile was a 3.5m high, 4.5m wide and 34m long curved cross-laminated tulipwood tube that cantilevered 12m in two directions with viewing platforms at both ends. ABA collaborated with The American Hardwood Export Council (AHEC), Arup and the London Design Festival 2016 to present the structure at the Chelsea College of Art Rootstein Hopkins Parade Ground.
Herringbone houses features in Peter Wilson’s ‘The Modern Timber House in the UK: New Paradigms and Technologies’, published in September 2017.
Uniquely sited in a backlands plot, overlooking a Wandsworth bowling green, Herringbone Houses consists of two 400sqm urban woodland houses for developer Lyford Investments. Like a Victorian house turned inside out, the building’s herringbone cladding is a traditional timber floor pattern transferred to facades, creating an optical illusion of accordion-like surfaces. Light filled atriums illuminate suspended stairs at the centre of each house; high-ceilinged open-plan spaces interlock with gardens; full basements decrease the footprint but add space.
These houses are a rare example of a developer aiming to match the craftsmanship of neighbouring Victorian villas within a contemporary architectural language. The houses were conceived from the principle of manipulating two continuous planes of timber and graphite render, that extend from exterior to interior, forming walls, floors, external decking and fences.
Copies of the book can be purchased for £35 online.